Cracking Da vinci's Code
By
Peter Jones*
First published in Evangelium, Vol. 2, Issue 3 (Jul/Aug 2004)
At the end of January 2004, Cook Communications asked me to co-write
with Dr. James L. Garlow, pastor of Skyline Wesleyan Church in San
Diego, a response to the novel "The Da Vinci Code". For those of you
who may be unfamiliar with "The Da Vinci Code", the author, Dan Brown,
taps into the public, fascination with conspiracy theories,
anti-Roman
Catholic clericalism, and the 'true' origins of Christianity. The end
product is a scathing attack on biblical Christianity. Brown questions
and rejects orthodox claims by cleverly weaving historical fact and
fiction, which we call 'faction,' thereby making it difficult for the
uninformed reader to be sure of much, except that the Bible is
doubtlessly wrong.
On the level of the superficial plot that keeps the pages turning, "The
Da Vinci Code" argues that Jesus and Mary Magdalene were lovers, had
children, and a descendant of that biological line presently lives in
Paris. Elements within the Church will kill to keep this secret from
ever getting out. The novel develops the theory that Mary was the
apostle whom Jesus intended to lead the church but was forced to flee
to France to escape the ire of her male colleagues. Amongst other
'revelations,' "The Da Vinci Code" claims the original church, made up
of Gnostic disciples, celebrated the worship of female wisdom and
practiced ritual sexuality. All this was replaced by the
macho-male-dominated church of later centuries, who suppressed women,
sex, and liberated spirituality.
In the history of the church, countless numbers of critics and scoffers
have written books that attempted to undermine and debunk Christianity.
Yet, none has received as much attention in popular culture as "The Da
Vinci Code". Presently, there are over seven million copies in print
and an estimated 30 million readers world-wide. According to a reliable
report, it is even being read in China. The book has been on the New
York Times bestseller list for over 63 consecutive weeks, and now we
hear that famed director, Ron Howard of A Beautiful Mind, is slated to
release a movie based on the book in 2005, with, it is believed,
Russell Crowe in the lead role. Millions of readers are falling for
Brown's rhetoric. Many more will do the same when they experience the
persuasive power of Hollywood magic.
Why all the interest around this novel? In an interview with People
Magazine, I said that Brown's novel is successful because he touches a
major fissure in contemporary American culture - that of the fading
Christian culture of the past and the rising neo-pagan spirituality of
America's 'bright' globalist future. Since the 1960s, America has
witnessed a revolution far more powerful than the one that established
this country as an independent nation. The recent revolutionaries have
cut us free from our Christian-inspired past. In one generation, they
have established new and radical views of the family, education,
morals, marriage, sexuality, spirituality, and God. Darwinism has
eliminated the need of a Creator; feminism is slowly executing Christ
and God - the ultimate patriarchs. These views have become the new
politically-correct orthodoxy of the cultural elite. Up until now, this
revolutionary ideology had generally remained within the ivory towers
of academia, taught with intellectual persuasiveness to your children
in the privacy of required classes. However, with Brown's novel - and
in spades, with the eventual movie - this revolutionary agenda spills
over into the popular culture in a way no piece of academic propaganda
ever could. The church needs to be on guard.
Brown does two things which we have sought to counter in our book.
Negatively, he seeks to undermine Jesus, the Canon, and the Gospel,
using the 'findings' of modern New Testament 'science.' Positively, he
proposes a 'new' spiritual agenda for the 'end of the days.'
Undermining Orthodox Christianity
In the past, our Christian witness was much simpler. The Bible provided
the overall framework for the way people thought. We could cite the
Bible as the clincher of our arguments, and non-believers would either
accept or reject the Bible's affirmations as applicable or not to their
lives. They simply identified themselves as 'unbelievers.' Things are
quickly changing. Now we are all spiritual 'believers' in one thing or
another, for there are various choices for the believing public. This
is the power of "The Da Vinci Code". It relativizes the biblical
witness of Jesus. It claims as 'fact' that the New Testament is a
secondary, later account; that the true Jesus was a Gnostic; and that
the earliest and most authentic 'Christian' writings were the Gnostic
Gospel of Thomas and the hypothetical document Q.
Listen to one of the main characters in "The Da Vinci Code":
Many scholars claim that the early Church literally stole Jesus from
His original followers, hijacking His human message, shrouding it in an
impenetrable cloak of divinity, and using it to expand their own power
(233).
In other words, the biblical witness concerning Jesus is an imposter -
a later inaccurate composition created by macho, patriarchal males who
believed Jesus to be divine. The truth, according to Brown, is that
before the Council of Nicea in 325 AD, 'Jesus was viewed by His
followers as a...mortal man' (232).
Dan Brown cleverly uses elements from the Jesus Seminar and the radical
wing of New Testament scholarship to argue that the Bible is suspect
and that we now have 'secret scrolls' (the Gnostic Gospels) that were
suppressed by the Church. Brown argues that these texts pre-date the
Bible and give us the true picture of Jesus - a mere human in love with
Mary Magdelene, with no sense of his death as an atonement for sin.
The early church faced the seductive power of the Gnostic texts when
they first appeared. Those same texts have been recently discovered (in
1945 in Egypt) and translated into English. They are now being used by
apostate biblical scholars, radical, goddess-worshiping feminist
theologians, and now by Dan Brown's clever yarn, to undermine the very
historicity of the New Testament. Many now believe that this novel
tells the truth about Christianity and find in it a compelling reason
to leave the Church.
How should we respond? Here are a couple suggestions. We argue that the
Q/Thomas reconstruction of radical, pro-Gnostic scholarship is
overwhelmingly hypothetical and is far from gaining anything close to a
consensus, even among mainline scholars. Moreover, an early Gnostic
community could not have predated the orthodox apostles. We show, for
instance, that no reputable scholar puts into question the early dates
of the apostle Paul. Saul was a contemporary of Jesus, converted around
35 AD, and wrote in the Forties and Fifties. In 1 Corinthians 15:3-5,
Paul cites the earliest written form of the Gospel (which came from
Palestine), and this 'creed' is in no sense 'Gnostic,' since it insists
on the atoning death and resurrection of Jesus 'according to the
Scriptures' which Gnosticism denies.
We argue that from the beginning, the first disciples saw Jesus as
divine. Again, Paul is the king-pin of the argument. His early
writings, from the Forties and Fifties, show that the divinity of Jesus
is already a fundamental element of the church's faith. Most of the
apostles gave their lives for that faith, and there is a mass of
evidence proving that the second and third century Fathers confessed
Jesus to be divine. Therefore, the notion that the deity of Christ was
first introduced in 325 AD must be rejected.
Promotion of a 'New' Spirituality
Brown's 'positive' approach is to resurrect what he calls
'pre-Christian' symbols and by them promote the ancient spirituality of
paganism. This is the worship of Nature as god. The all-inclusive
circle, 'the divine feminine,' and the figure of the goddess offer hope
for the future of the planet in the Age of Aquarius. He finds this new
message encoded in the architecture of Roslyn Chapel, which he calls
'the Cathedral of Codes' (432):
Each block [of the chapel] was carved with a symbol to create a
multifaceted surface (436)…Christian cruciforms, Jewish
stars, Masonic
seals, Templar crosses, cornucopias, pyramids, astrological signs,
plants, vegetables, pentacles and roses Rosslyn Chapel was a shrine to
all faiths to all traditions and, above all, to nature and the goddess
(434).
The hero of the novel, Robert Langdon, appropriately a forty-something
handsome professor at Harvard, is exhorted in terms missionary and
prophetic: 'We are beginning to sense the need to restore the sacred
feminine, Sing her song. The world needs modern troubadours' (444).
Here is Brown's deep code - the old, earlier, and authentic pagan
spirituality is now replacing its later 'Christian' imposter.
Pre-Christian, peace-loving 'matriarchal paganism' and the 'divine
feminine' are displacing the inventions of our power-hungry, macho
fathers (124) and their violent 'patriarchal Christianity.' In short,
the pre-Christian goddess is replacing the God of the Bible. This, of
course, was the 'gospel' of ancient Gnosticism, which, in its extreme
forms, declared that their goddess will cast the biblical God into
hell. In "The Da Vinci Code" the biblical God is cast into oblivion. He
is never mentioned.
On the internet, one can read many postings declaring that Dan Brown's
novel 'gave permission' to abandon biblical Christianity. One sixteen
year old girl said to a woman who was attempting to share the Gospel:
'"The Da Vinci Code" shows the Bible is a fake. Besides, I feel very
comfortable with the spirituality I have discovered there. It fits me
fine.' This young woman has been affected by both elements of the
novel. She dismisses the Bible as bogus history, and she is a convert
to this 'new spirituality' - the sad result of a powerful, double
whammy!
Conclusion
It is important to show that Brown's novel is neither a piece of
harmless fiction nor a neutral, objective restatement of the 'facts.'
His massive ideological agenda colors everything he writes. People need
to know that this is a propaganda piece for Brown's recently discovered
spirituality. In order to be ready to give a reason for the hope that
is within us, it is my belief that Christians need to read this novel
to become acquainted with what our neighbors are now believing. For
when this novel and its movie is finished with America, evangelism will
never be the same.
We can deplore the success of this anti-Christian propaganda and race
up the nearest mountain. But the 'lie' always calls forth a statement
of 'the truth.' This is the way the persecuted Church throughout
history has responded, not with flight but with creeds, not with craven
fear but with confessions, and not with spiritual ghettos but with open
theological argument. Actually, Brown 'gives permission' to raise the
question of spirituality. On a plane the other day, three women were
reading his book within the confines of 10C and 12F. It is easy to
begin a conversation on the nature of the Christian faith, and since
Brown's account is so flawed, people can be moved by a well-presented
biblical defense of the facts. "The Da Vinci Code" can be a wonderful
occasion for evangelism.
Westminster Seminary California seeks to promote a responsible
theological answer to the neo-pagan threat in our time and point people
to the truth. May God grant us a revival of true faith and courageous
witness in these difficult times. Only a fully biblical, reformed faith
has the answer to the pagan challenge. May we stand together to produce
that response, strengthened by the knowledge that we have not been
given 'a spirit of fear but a spirit of power and love and
self-control,' in order to 'take every thought captive to the obedience
of Christ.'